About: Resume
Skip to: Awards | Bibliography | Murals | Illustration | Publications | Exhibitions
Credentials and Degrees
Masters in Fine Arts, Drawing and Painting, San Francisco Art Institute, May, 1990
B.A. in Teaching Aesthetic Awareness from a Cultural Perspective, University of California at Santa Cruz, 1979
Single Subjects Credential in Art Education, 1980
Bilingual Cross-Cultural Emphasis Credential, U.C.S.C., 1979
Fifth Year Certificate in Bilingual Education, 1983
Passed the CBEST (California Basic Educational Skills Test) in 1998
Awards and Honors
National Endowment for the Humanities, BIRTH MURAL Best Visual Art Work with a Chicano/Mexicano Theme, through the University of California, Santa Cruz, 1982.
Precita Eyes Mural Arts Center, Master Muralist Award, 1992.
Precita Eyes Mural Arts Center, Best Collaborative Project Award, for MaestraPeace, 1994.
NACS (National Association of Chicano Studies), for Outstanding Contributions to the Arts, Academia and Our Communities, 1993.
Woman of Fire Award, Women of Color Resource Center, Berkeley, Ca 2000
California State Senate, Outstanding Contributions as an Oakland Arts Educator, 2004.
Bibliography
Triumph of Our Communities, Gary D. Keller et al, Bilingual Press/Editoria Bilingue, Tempe, Arizona, 2005.
Art, Women and California, Other Landscapes, Angela Y. Davis, 2000.
Imagine: International Chicano Poetry Journal, Volume 3, 1986. Imagine Publishers.
Feminist Geographies: Explorations in Diversity and Difference, Women and Geography Study Group of the Royal Geographical Society with the Institute of British Geographers, Addison Wesley Limited, 1987
Yesterday and Tomorrow, California Women Artists, Edited by Sylvia Moore, Midmarch Press,
1989
Cover Image, Signs from the Heart: California Chicano Murals, SPARC, The Social and Public Arts Resource Center. 1990
Paper Angels and Bitter Cane, Two Plays by Genny Lim, Kalamaku Press, 1991, cover artwork.
Chicano Art: Resistance and Affirmation, 1965-1985, Wight Art Gallery, UCLA, 1991
Barrio, George Ancona, 1995
Regeneration, Galeria de la Raza, Armando Rascon, Curator. February 1995
Homeless Not Helpless, An Anthology Edited by Barbara Paschke and David Volpendesta, 1991
Reconceptualizing the Peasantry: Anthropology in Global Perspective, by Michael Kearny, Westview Press, a division of Harper-Collins, 1996.
Border Matters: Remapping American Cultural Studies, by Jose David Saldivar, University of California Press, 1997, cover artwork.
Feminist Geographies: Explorations in Diversity and Difference, Women and Geography Study Group, Addison Wesley Longman Limited 1997, cover artwork.
San Francisco Murals, by Timothy W. Drescher, Pogo Press, 1998
Painting the Towns, by Jim Prigoff and Robin Dunnitz, RJD Enterprises, 1999, back cover image,
We Are the Ones We???ve Been Waiting For, Women of Color Organizing, front cover, edited by Rinku Sen, U.S. Urban Rural Mission, 1999.
Murals (Public and Institutional collections)
2004
LA LLORONA’S SACRED WATERS Acrylic mural on stucco. 24th and York Streets, San Francisco Mission District.
2001
LA VIRGEN DE LA LIBERTAD, ceramic handmade tile mural, 6?? x 9 feet, private commission. Mural mounted on plywood and installed in garden.
ALL LIFE IS INTERRELATED, portable mural for Destiny Arts Center in Oakland, CA. Acrylic on canvas, 10?? x 15??.
2000
A WOMAN’S PLACE/EL LUGAR DE LA MUJER, acrylic mural on panels (installed), 54?? x 10??, at the United Electrical and Machine Workers Union Hall, Local 506, Erie, Pennsylvania. ??2000.
MAESTRAPEACE 2000, additions to the re-modelled Women’s Building, San Francisco, CA. Additions to entryway at new cafe and childcare center, as well as above the main front entrance.
1999
SANCTUARY/SANTUARIO, fresco painting and sculptures for San Francisco International Airport, with Emmanuel Catarino Montoya, 19??? x 23???. International Terminal G, Gate Room 99.
1998
THE BROKEN CORD / EL CORDON ROTO. Acrylic banner mural on canvas, 6′ x 18′, exhibited at Amnesty International’s Art and Human Rights Conference, and at “No More Scapegoats”, at the San Francisco Unified School District.
1997
TU ERES MI OTRO YO: MARIN’S INTERDEPENDENCE. Acrylic mural on sheetrock, 14′ x 115′, for Whole Foods Market in San Rafael, CA.
1996
CROSS-POLLINATE, at Whole Foods Market in San Francisco. 6′ x 80′ acrylic on sheetrock.
1995
POSITIVE VISIBILITY, directed students and HIV positive women in mural at Haight and Scott Streets, San Francisco.
1994
MAESTRAPEACE, mural on the San Francisco Bay Area Women???s Building, front (north) and side (east) facades, each 150′ x 60′. Acrylic on stucco. A collaboration with Miranda Bergman, Edythe Boone, Susan Cervantes, Meera Desai, Yvonne Littleton, and Irene Perez. San Francisco Mission District, 18th Street @ Valencia.
1992
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), at the University of California at Santa Cruz, Oakes College, Main Classroom and Administration Building. 21′ x 21′ acrylic interior mural, commissioned as part of a “Visiting Distinguished Professor” appointment, through a grant from the U.C.S.C. Alumni Association.
1991
REGENERATION/REGENERACI??N, portable mural on panel, 12′ x 24???, exterior mural on panels.Commissioned by MACLA (Movimiento de Arte y Cultura Latinoamericana) for their newly-acquired cultural center on First Street, downtown San Jose.
1990
THE SILENT LANGUAGE OF THE SOUL/EL LENGUAJE MUDO DEL ALMA, exterior acrylic mural on the facade of the Cesar Chavez (formerly Hawthorne) Elementary School, 32??? x 350???, Shotwell Street between 22nd and 23rd Streets, San Francisco Mission District. Designed and painted in collaboration with Susan Cervantes.
MISSION STREET MANIFESTO/MANIFIESTO DE LA CALLE MISI??N, acrylic mural on panels, 16??? x 25???, commisioned by 20th Century Fox for the movie, Class Action, with Gene Hackman. On long-term loan to San Francisco State University, installed in the Student Union Building.
1988
CEASE FIRE/ALTO AL FUEGO, Politec and Novacolor acrylic mural on cement wall, 9??? x 13′, Mission Street at 21st, San Francisco.
CULTURA SIN FRONTERAS/CULTURE WITHOUT BORDERS, Politec and Novacolor acrylic mural on stucco. Hispanic Cultural Center of Novato, 1530 South Novato Boulevard. Juana Alicia with student artists Rosario Alc??zar, Concha Marina Aparicio, Julia Coyne Niles and Kiana Thompson.
PUENTE DE LA PAZ/BRIDGE OF PEACE, interior acrylic mural on sheetrock, World College West, Commons Building, 101 South San Antonio Road, Petaluma, Ca.
MUJERES DE FUEGO (WOMEN OF FIRE), Politec acrylic mural, Stanford University, 9′ x 10′. Palo Alto, California. Mural painted with Stanford students in a workshop taught by the artist: “Mural Art: Enfoque Femenil” (Womanist Focus).
EARTH BOOK, Politec and Nova Color acrylic mural, 10′ 6″ x 16′, entrance to library, Skyline College, San Bruno, California. Student Apprentices: Barry McGee and Sia Yang.
NEW WORLD TREE OF LIFE, 69′ x 25′ acrylic Politec and Nova Color mural at the Mission Pool, 19th and Linda Streets, San Francisco, California. Designed and executed in collaboration with Susan Cervantes and Raul Mart??nez.
1986
EL AMANECER, a collective mural project with Miranda Bergman, Hector Noel M??ndez, Ariella Seidenberg and Arch Williams. 700 square foot acrylic mural on the facade of ANDEN (Asociac??on Nacional de Educadores de Nicaragua-National Teachers Association of Nicaragua), in El Parque de las Madres, Managua, Nicaragua.
A LETTER TO THE FUTURE/UNA CARTA A FUTURO, mural project at San Francisco’s Good Samaritan Community Center. Directed student project as California Arts Council Artist in Residence at La Raza Graphics. Politec paint, 150 square foot interior. Destroyed after 1989 earthquake.
1985
FOR THE ROSES/PARA LAS ROSAS, San Francisco Mime Troupe Building mural, solo project. 930 square foot Politec acrylic mural, at 855 Treat Street, Mission District, San Francisco.
TE O??MOS GUATEMALA (WE HEAR YOU, GUATEMALA), 80 square foot politec acrylic mural for PLACA Mural Collective in solidarity with the people of Central America. Balmy Alley, San Francisco Mission District. A solo project designed in harmony with thirty other murals in a block-long community arts environment. (Replaced by Una Ley Inmoral…”)
BALANCE OF POWER, a collective mural project with Susan Cervantes, Raul Mart??nez, Emmanuel Catarino Montoya, and nine students. A community youth education project, through San Francisco’s Recreation and Parks Department and Mayor’s Youth Fund. 2,210 square foot Politec acrylic mural.
1983
UNA NOCHE EN VERACRUZ (A NIGHT IN VERACRUZ) and LA OAXAQUE??A, two Politec acrylic murals, 120 and 70 square feet, respectively. At Pablo’s Restaurant, 4166 24th Street, San Francisco (destroyed).
1983
LAS LECHUGUERAS (THE WOMEN LETTTUCE WORKERS) 1500 square foot Politec acrylic mural, at York and 24th Streets, San Francisco Mission District. A commission from the Mayor’s Office of Community Development and the San Francisco Arts Commission.
A VIEW OF 20TH CENTURY U.S. HISTORY/UNA VISTA DE LA HISTORIA DE LOS ESTADOS UNIDOS EN EL SIGLO 20. Directed student mural at Watsonville
High School. 420 square foot Politec mural. Watsonville, California. Destroyed in the 1989 earthquake.
1982
BIRTH MURAL design awarded National Endowment for the Humanities Award for Best Visual Art Work with a Chicano/Mexicano Theme, through the University of California, Santa Cruz. Series of seven life-size panels on the theme of childbirth, pastel and collage on paper.
Illustration
Mother???s Day/El d??a de las madres, illustrated by Juana Alicia, written by Ana Matiella, published by the Children???s Museum of Boston and Modern Curriculum Press
Selected Publications
Imagine: International Chicano Poetry Journal, Volume 3, 1986. ImaginePublishers.
Feminist Geographies: Explorations in Diversity and Difference, Women and Geography Study Group of the Royal Geographical Society with the Institute of British Geographers, Addison Wesley Limited, 1987
Yesterday and Tomorrow, California Women Artists, Edited by Sylvia Moore, Midmarch Press, 1989
Cover Image, Signs from the Heart: California Chicano Murals, SPARC, The Social and Public Arts Resource Center. 1990
Paper Angels and Bitter Cane, Two Plays by Genny Lim, Kalamaku Press, 1991, cover artwork.
Chicano Art: Resistance and Affirmation, 1965-1985, Wight Art Gallery, UCLA, 1991
Barrio, George Ancona, 1995
Regeneration, Galeria de la Raza, Armando Rascon, February 1995
Homeless Not Helpless, An Anthology Edited by Barbara Paschke and David Volpendesta, 1991
Reconceptualizing the Peasantry: Anthropology in Global Perspective, by Michael Kearny, Westview Press, a division of Harper-Collins, 1996.
Border Matters: Remapping American Cultural Studies, by Jose David Saldivar, University of California Press, 1997, cover artwork.
Feminist Geographies: Explorations in Diversity and Difference, Women and Geography Study Group, Addison Wesley Longman Limited 1997, cover artwork.
San Francisco Murals, by Timothy W. Drescher, Pogo Press, 1998
Painting the Towns, by Jim Prigoff and Robin Dunnitz, RJD Enterprises, 1999, back cover image.
We Are the Ones We??ve Been Waiting For, Women of Color Organizing, front cover, edited by Rinku Sen, U.S. Urban Rural Mission, 1999.
Sweatshop Warriors: Immigrant Women Take on the Global Factory, Miriam Ching Louie, South End Press, 2001, cover artwork.
Women’s Lives: Multicultural Perspectives, Second Editon, by Gwyn Kirk and Margo Okazawa-Rey, 2001, Mayfield Publishing, 2001, front cover image.
Other Landscapes”, Angela Y. Davis, from Art/Women/California, Parallels and Intersections: 1950-2000, 2002
Migratory Birds: New and Noted Poems, an upcoming collection of poetry by Odilia Galvan Rodriguez, Prickly Pear Publishing, Oakland, CA, 2002.
Arte y Minor??as en los Estados Unidos: el ejemplo chicano, Jose de la Nuez Santana, Edita: Instituto Universitario de Documentaci??n y Gesti??n de la Informaci??n (Universidad Carlos III de Madrid), 2001
Selected Exhibitions
2000
JUANA ALICIA: PRESENCIA MONUMENTAL, Coyote Gallery, Butte College, Oroville, CA.
MAESTRAPEACE, The Euphrat Museum, De Anza College, Cupertino, CA.
HECHO EN CALIFAS: THE LAST DECADE, curated by Richard Lou, touring California cultural centers and museums.
‘98-’01
EL PAPEL DEL PAPEL, THE ROLE OF PAPER, AFFIRMATION AND IDENTITY IN CHICANO AND BORICUA ART, an international touring exhibit presented by the Guadalupe Art Center of San Antonio, Texas.
1997
FROM WITHIN: AN EXHIBITION ABOUT MOTHERHOOD AND THE CREATIVE PROCESS, Works Gallery, San Jose, CA. Curated by Mel Adamson. Catalog.
1995
10 X 10: TEN WOMEN, TEN PRINTS, The Berkeley Art Center, Berkeley, CA
1994
TRES CARAS/THREE FACES, The Red Mesa Gallery, Gallup, New Mexico
1992
WOMEN OF THE FOUR DIRECTIONS:NATIVE AMERICAN LAND ISSUES EXHIBIT, Pro Arts Gallery, Oakland, CA
THE FOURTH R: ART AND THE NEEDS OF CHILDREN, The Euphrat Gallery, De Anza College, Cupertino, CA.
1991
WOMEN WITH ATTITUDE/MUJERES CON GARBO, at La Raza Graphics Center, San Francisco.
WAR???PEACE ART, organized by the Mexican Museum of San Francisco, international exhibition schedule.
JUANA ALICIA???CARLOS LOARCA???DARRYL SAPIEN???RICO SOLINAS???EVA GARCIA, San Francisco Arts Commission Gallery.
LAS FRONTERAS: SUENOS, COMADRES Y MANOS, Channing Peake Gallery, Santa Barbara County Arts Commission.
CHICANOS, Moss Gallery, San Francisco.
1990
BODY/CULTURE: CHICANO FIGURATION, organized by the University Art Gallery, Sonoma State University, national exhibition schedule, October 1990 through February, 1992, catalogue.
CHICANO ART:RESISTANCE AND AFFIRMATION (CARA) 1965-1985, Wight Art Gallery, U.C.L.A., national and international tour, 1990-1994, catalogue.
SAN FRANCISCO ART INSTITUTE MASTERS IN FINE ARTS EXHIBITION, Fort Mason, San Francisco, catalogue.1989
LA PISTOLA Y EL CORAZON: PAINTINGS BY JUANA ALICIA, Galer??a Posada, Sacramento, CA.
DIA DE LOS MUERTOS EXHIBITION, Mexican Fine Arts Center Museum, Chicago,
LA MUJER EN LA RAZA, Museo de la Estampa, Mexico City, group exhibit, catalogue.
1988
VISIONES CONTEMPORANEAS., Santa Rosa City Council Chambers, Santa Rosa, CA.
DIA DE LOS MUERTOS EXHIBITION, Mexican Fine Arts Center Museum, Chicago, Illinois, group exhibit.
DIA DE LOS MUERTOS EXHIBITION, The Alternative Museum, New York, New York group exhibit.
1987
LATINA ART : SHOWCASE “87, Mexican Fine Arts Center Museum, Chicago, Illinois. Group show. Artist’s work used for cover of catalogue, posters, cards. Curator: Juana Guzman.
MEXICAN - AMERICAN SHOW, Loteri?? Nacional, Mexico City, Mexico. Group show sponsored by Instituto Nacional de Bellas Artes (National Institute of Fine Arts). Catalogue.
1986
SHE , group exhibition on the theme of women and water, Berkeley Art Center. Michael Bell, curator.
CONTENT: CONTEMPORARY ISSUES, Euphrat Gallery. De Anza College, Cupertino, Jan Rindfleisch, curator. Catalogue
1985
WOMEN X WOMEN, group exhibit at La Galer??a de la Raza, San Francisco,CA.
Teaching Experience
2002-2003
San Francisco State University: ??? Raza Art History??? and ???Women as Creative Agents??? (College of Ethnic Studies and Women???s Studies)
2001-2002
University of California, Davis, Chicano Studies, Visiting Lecturer: ???Chicanas, Politics and Public Policy??? and ???Political Economy of Chicano/Latina Communities???
San Francisco State University, College of Ethnic Studies and Department of Women???s Studies, Visiting Lecturer: ???Raza Art History???, ???Raza Oral History and Tradition??? and ???Woman as Creative Agent???
California State University at Hayward, supervisor for student teachers. Berkely Arts Magnet, visual art teacher. Public speaker for Speak Out, a progressive speaker???s bureau. Richmond Art Center, Art 10 Program, Richmond, CA,
2000
Stanford University, Visiting Professor, Department of Spanish and Portuguese: Chicana/Xicano Muralism.
1995-99
Co-Founder and Co-Director, The East Bay Institute for Urban Arts, Oakland, CA.
1994-95
Atelierista (resident art teacher) at the San Francisco Charter Early Childhood School.
1990-95
Core faculty, New College of California, graduate and undergraduate Visual Arts Coordinator of undergraduate Interdicsciplinary Art and Social Change Program.
1992
Distinguished Visiting Professor, Oakes College, University of
New College of California, Core Faculty in Drawing and Visual Arts Program Coordinator.
1990-93
California College of Arts and Crafts, classes in drawing, Latin American history and mural painting.
1990-95
New College of California, classes in drawing and Latin American art history. Cooridinator of Visual Arts Program, Fall
1990
San Francisco Art Institute, Watercolor, spring extension program.
1989
San Francisco Art Institute, Watercolor, summer extension program.
1989
California Arts Council, Artist in Residence, Artist in Schools Grant for Hawthorne Elementary School, San Francisco.
1987
California Arts Council, Artist in Communities Grant for 1987- 88, at the Hispanic Cultural Center of Novato and World College West.
1985
Artist in Residence at La Raza Graphics for one year, in various student mural projects, both at the La Raza site and at Good Samaritan Community Center
1985
Directed student mural project at the Mission Pool and Playground. 19th and Linda Streets, San Francisco. Worked in collaboration with aforementioned colleagues.
1984
Directed high school student mural project through the State Department of Migrant Education’s Yo Puedo Program at Stanford University: Assisted students in design and execution of mural at Stanford’s Chicano Centro.
Artist in Residence at Potter Valley School. Potter Valley, California, directing mural project with forty elementary school students. Painted 1,000 square foot Politec mural on exterior wall of school.
1981
Taught art to elementary and secondary level migrant students in a two-year program designed and administered by the artist (funded through the State Office of Migrant Education) in P??jaro, California, featuring workshops in ceramics, drawing, design and mural painting.